Musidora: The Bather 'At the Doubtful Breeze Alarmed'

വിക്കിപീഡിയ, ഒരു സ്വതന്ത്ര വിജ്ഞാനകോശം.
Naked woman standing in a stream
Musidora: The Bather 'At the Doubtful Breeze Alarmed', Tate version, exhibited 1846, 65.1 by 50.2 cm (25.6 by 19.8 in)

ഇംഗ്ലീഷ് ചിത്രകാരനായ William Etty -യുടെ ഏതാണ്ട് ഒരേപോലെയുള്ള നാല് ഓയിൽ പെയ്‌ന്റിംഗുകൾ ഒരുമിച്ച് അറിയപ്പെടുന്ന പേരാണ് Musidora: The Bather 'At the Doubtful Breeze Alarmed', അല്ലെങ്കിൽ ചുരുക്കത്തിൽ The Bather,[1]. ജെയിംസ് തോംസൺന്റെ 1727 -ലെ കവിതയായ സമ്മറിൽ ഒരു യുവതി കുളിക്കുന്നത് ആകസ്മികമായി കാണുന്ന ഒരു ചെറുപ്പക്കാരൻ അതുനോക്കിനിൽക്കാനുള്ള ആഗ്രഹത്തിനും അതു നോക്കാൻ പാടില്ലെന്ന കുറ്റബോധത്തിനും ഇടയിൽ ഉള്ള രംഗമാണ് ഇതിന് പ്രേരണയായത്.

പശ്ചാത്തലം[തിരുത്തുക]

man standing at an easel
William Etty in 1844, around the time Musidora was painted.

Subject[തിരുത്തുക]

How durst thou risk the soul-distracting view
As from her naked limbs of glowing white,
Harmonious swelled by nature's finest hand,
In folds loose-floating fell the fainter lawn,
And fair exposed she stood, shrunk from herself,
With fancy blushing, at the doubtful breeze
Alarmed, and starting like the fearful fawn?
Then to the flood she rushed.

These lines from Summer accompanied the painting on its original exhibit.[2]

woman undressing with her feet in a stream
Musidora by Thomas Gainsborough c.1780–1788. This painting was not exhibited during Gains­borough's lifetime.

Composition[തിരുത്തുക]

broad stream and trees
The Plantation at Acomb, William Etty, 1842

സ്വീകരണം[തിരുത്തുക]

Legacy[തിരുത്തുക]

near-nude woman on a horse, surrounded by people
Godiva Preparing to Ride through Coventry, George Jones, 1833
near-nude woman on a horse
Lady Godiva, Marshall Claxton, 1850
By the time of Musidora, Godiva was replacing Musidora as a pretext for English artists to paint nudes.
Dishevelled and distressed naked woman tied to a tree, being cut free by a man in armour
It is likely that the composition of Millais's 1870 The Knight Errant was influenced by Musidora.

Versions[തിരുത്തുക]

അടിക്കുറിപ്പുകൾ[തിരുത്തുക]

അവലംബം[തിരുത്തുക]

കുറിപ്പുകൾ[തിരുത്തുക]

  1. "Exhibition of the Royal Academy". The Court Magazine and Monthly Critic. London: William Syme. 9 (14): 151. June 1843.
  2. Smith 2001a, പുറം. 58.

സഹായകഗ്രന്ഥങ്ങൾ[തിരുത്തുക]

  • Burnage, Sarah (2011a). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 154–97. ISBN 9780856677014. OCLC 800599710. {{cite book}}: Invalid |ref=harv (help)
  • Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN 9780856677014. OCLC 800599710. {{cite book}}: Invalid |ref=harv (help)
  • Burnage, Sarah (2011c). "The Life Class". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 198–227. ISBN 9780856677014. OCLC 800599710. {{cite book}}: Invalid |ref=harv (help)
  • Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN 9780856677014. OCLC 800599710. {{cite book}}: Invalid |ref=harv (help)
  • Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN 9780856677014. OCLC 800599710. {{cite book}}: Invalid |ref=harv (help)
  • Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN 9780856677014. OCLC 800599710. {{cite book}}: Invalid |ref=harv (help)
  • Farr, Dennis (1958). William Etty. London: Routledge and Kegan Paul. OCLC 2470159. {{cite book}}: Invalid |ref=harv (help)
  • Robinson, Leonard (2007). William Etty: The Life and Art. Jefferson, NC: McFarland & Company. ISBN 9780786425310. OCLC 751047871. {{cite book}}: Invalid |ref=harv (help)
  • Smith, Alison (2001a). Exposed: The Victorian Nude. London: Tate Publishing. ISBN 1854373722. {{cite book}}: Invalid |ref=harv (help)
  • Smith, Alison (2001b). "Private Pleasures?". In Bills, Mark (ed.). Art in the Age of Queen Victoria: A Wealth of Depictions. Bournemouth: Russell–Cotes Art Gallery and Museum. ISBN 0905173651. {{cite book}}: Invalid |ref=harv (help)
  • Smith, Alison (1996). The Victorian Nude. Manchester: Manchester University Press. ISBN 0719044030. {{cite book}}: Invalid |ref=harv (help)
  • Thomson, James (1794). The Seasons. London: J. Creswick and Co. OCLC 316777708. {{cite book}}: Invalid |ref=harv (help)
  • Warner, Malcolm (1996). The Victorians: British Painting 1837–1901. Washington, D.C.: National Gallery of Art. ISBN 0810963426. OCLC 59600277. {{cite book}}: Invalid |ref=harv (help)
"https://ml.wikipedia.org/w/index.php?title=Musidora:_The_Bather_%27At_the_Doubtful_Breeze_Alarmed%27&oldid=3999474" എന്ന താളിൽനിന്ന് ശേഖരിച്ചത്